Why Albert Einstein Came to Love Being Alone as He Got Older

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Black and white portrait of Albert Einstein, 1921, photographed by Ferdinand Schmutzer

Albert Einstein believed solitude changes as you age: hard to bear when you’re young, and a pleasure later on.

At 57, he wrote “Self-Portrait” for Georges Schreiber’s 1936 book Portraits and Self-Portraits. The piece was reprinted in Out of My Later Years (1950), page 5.

Einstein had called himself a “lone traveler” and a “horse for single harness” in writings around 1930–31. His sense of detachment grew with age: he wrote of feeling distant even from his immediate family, while science remained central to his life.

He’d settled in Princeton, New Jersey, in 1933, after deciding never to return to Germany as the antisemitic campaign against him grew. In “Self-Portrait,” he asks, “What does a fish know about the water in which he swims all his life?”

The line before his closing thought reads, “Arrows of hate have been shot at me too; but they never hit me, because somehow they belonged to another world, with which I have no connection whatsoever.” He ends: “I live in that solitude which is painful in youth, but delicious in the years of maturity.”

His wife and cousin, Elsa Löwenthal, whom he married in 1919, helped shield him from public demands while managing their household and traveling with him. After a long illness, she died on December 20, 1936, at their Princeton home, 112 Mercer Street, the same year he wrote the piece.

Einstein continued to live there with his secretary, Helen Dukas, and stepdaughter Margot; his sister Maja joined them later.

The painting is Caspar David Friedrich’s The Monk by the Sea, from 1808 to 1810, in the Alte Nationalgalerie in Berlin.

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Why Albert Einstein Came to Love Being Alone as He Got Older
Sepia portrait of Albert Einstein in a suit, holding chalk, standing in front of a chalkboard with geometric diagrams, circa 1921.
A sepia-toned portrait of Albert Einstein standing before a chalkboard, chalk in hand — captured by Ferdinand Schmutzer in 1921. Photo via Wikimedia Commons.
Oil painting of a lone dark-robed figure standing on a sandy shore facing a vast, stormy sea under a heavy grey sky.
A solitary robed figure stands dwarfed by an immense, moody sea and sky in Caspar David Friedrich’s Romantic masterwork, painted between 1808 and 1810. Photo via Wikimedia Commons.
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