Michael Promised Kay the Corleones Would Be Legitimate in 5 Years. By the End of the Godfather, He Was the Don

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A still from The Godfather (1972)

In The Godfather, Michael Corleone promises Kay Adams that within 5 years the family will be fully legitimate. By the end of the film, he’s taken his father’s place as Don and lies to her about the violence she feared.

When Kay challenges Michael about his father’s violence, he answers by questioning her understanding of political power.

“My father is no different than any powerful man, any man with power, like a president or senator,” Michael tells her.

“Do you know how naive you sound, Michael? Presidents and senators don’t have men killed,” Kay replies.

“Oh. Who’s being naive, Kay?”

Kay once believed Michael would keep his distance from the family business. By this conversation, he’s killed Sollozzo and McCluskey, hidden in Sicily and returned to work for his father, who’s been very ill. When he seeks Kay out again, she’s hearing him defend the world she thought he’d stay outside.

His comparison puts his father’s use of violence alongside the actions of elected leaders. He’s already accepted the family’s justification for its power, even as he tells Kay its methods will change.

Michael says his father’s old ways are finished and promises that within 5 years, the Corleone family will be fully legitimate. But by the film’s end, he’s taken his father’s place as Don and lies to Kay about the violence she feared.

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A woman in a tan trench coat and a man in a dark suit and black fedora face each other on a tree-lined street with vintage cars in the background.
A wide shot frames the outdoor conversation between Kay and Michael on a tree-lined street amid autumn foliage, vintage woody wagons parked behind them. Credit: The Godfather (1972).
Close-up of a young man in a dark suit, striped tie, and black wide-brim hat speaking intently, with a woman's back-of-head visible at left.
A close-up catches the intensity in Michael’s eyes as he delivers his pointed reply — “Who’s being naive, Kay?” — his black fedora and striped tie foregrounded against blurred greenery. Credit: The Godfather (1972).
A blonde woman in a gray turtleneck and tan coat looks with a troubled expression at someone off-screen, a vintage woody wagon visible behind her.
Kay’s expression tightens as she listens, the warm wood paneling of a classic station wagon glowing behind her and a man in a dark fedora at the edge of frame. Credit: The Godfather (1972).
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